I’ve finally managed to cure my SS1/2 addiction. It’s only temporary, I know, but it’s simply awesome to experience something new! You know it, it’s the feeling of discovering a new amazing band.
My new favourite Tehosekoitin comes from Finland, more specifically Lahti (originally). They were a big success in this country from mid-90s to early 2000s. At that time, especially in the late 90s, I was of course only 8-12 years old – way too young to understand the secrets of rock & roll. In the 90s I was listening to something completely different instead of bands that girls throw their panties at (I probably wouldn’t have had a clue why girls threw their underwear at some guys, but now I understand perfectly…). I was aware that there was a band called Tehosekoitin, they had several hit songs (some of which are still played on the radio), I even knew their lead singer was called Otto, and that he had long, curly, reddish hair. What I didn’t know/realize then: their music is fabulous!
I also remember year 2004 when the band broke up. However, I didn’t receive the critical stimulus until a week ago when I heard their song C’mon Baby Yeah for the second time in my life. Yes, it was the second time. The second time was important because it was a night I was spending at a club with my friends, and I thought the music wasn’t very good – too much dull 21st century disco rock. So, when C’mon Baby Yeah filled the air with its rock & roll feeling and incredibly catchy chorus the song became the best song of the evening. A few days later I decided to check out Tehosekoitin’s music. I was immediately faced with a whole variety of different styles (everything from punk to Finnish schlager!) but I liked the stuff. The songs I’d heard somewhere before (on the radio or somewhere else) sounded perfect. It was really nice to finally realize the absolute greatness of songs like Kaikki nuoret tyypit, Valonkantaja, Pillitä Elli pillitä, Hetken tie on kevyt – and Asfaltti polttaa, one of the most absolutely perfect summer songs I’ve ever heard, and it sounds just like The Rubettes.
Tehosekoitin started in the early 1990s as a punk band. Later their musical style was influenced by lots of styles (including psychedelic rock, blues, country, disco, jazz etc) and the songs occasionally had wind instruments and/or big string arrangements. The singing language was Finnish (except on their last album it was English). Most of their lyrics were written by lead singer Otto Grundström, and composing was Matti Mikkola’s job. The first album Rock’n Roll was released in 1994. Their breakthrough hit was C’mon Baby Yeah from their 1997 album Köyhät syntiset. The name Tehosekoitin means blender, since the band wanted a name that would represent speed and energy. The band will play half a dozen festival reunion gigs in Finland this summer. You know who will be there… In 2002, Tehosekoitin released an album in English under the name The Screamin’ Stukas. The songs were new versions of their hits and other popular songs. The band also apparently toured The Brits and elsewhere in Europe but the success was minor. What a shame! I think they are a lot more interesting band than, say, The Rasmus. Also, the English album, A Lotta Rhythm, is really good. You can say that it’s their greatest hits in English.
I noticed there are no Screamin’ Stukas videos on YouTube (but lots in Finnish). There are, however, some copies of A Lotta Rhythm CD at Amazon, for example. I would be a lot happier if there were Screamin’ Stukas videos on YouTube or MySpace (and English-speaking people would understand the lyrics), but, on the other hand, there are a lot of people who listen to rock music sung in Japanese... I suppose Finnish language is just as exotic as Japanese.
Here are some Tehosekoitin hits and other cool songs, some of which come with music videos.
The Eurovision Song Contest is over. Norway, represented by young Alexander Rybak took the first price and highest ESC score ever (387 points) with the song Fairytale. The song is really good, folk-influenced (I'd say it also sounds Slavic), melancholic, melodic, and soundwise dominated by violins and Rybak’s fairly sweet voice. What makes this victory special is that the winning song is actually good from beginning to end – something that is, in my opinion, nowadays not very common in this contest. Rybak is now getting really famous also outside Norway with his song topping download charts. In his home country, Rybak has already made Fairytale a hit with massive sales. The song is written by him, so you gotta give him a couple of extra points for that.
Finland made its way to the finals but Waldo’s People’s placement was 25th – the last. I think the placement was pretty justified. The song definitely wasn’t the best our country could provide but, on the other hand, this wasn’t the first time when Finns have been very wrong about what Europe might like to hear. Finland has so far collected several placements as the last – and only one victory. What did we hopefully learn this year? You don’t win with 90s Eurodance anymore and rapping will definitely not help. How could you make an impression with rhythmic talking instead of introducing a gorgeous melody that will sweetly caress your eardrums with melodic variation? (Something that I’ve been wondering ever since hip hop became very popular.) And, after all, I didn’t want Waldo’s People to represent Finland. My favourite was Vink!
After all, I am happy, and I hope all other Finns are as well, that a neighbouring country won. See and hear Norway’s winning song at YouTube. Rybak probably would have liked to play his violin for real, but in this contest all instrument except for vocals are playback. Also, these days there are hardly any Eurovision contestants without a proper dance choreography!
This thing came to me pretty much out of the blue and I'm really happy I decided to check out what this music sounds like. It immediately turned out to be a really nice find.
Pinstripe 45's are a quite new group led by Chicago-based multi-instrumentalist Marshall Hanbury Jr. The music could be described as acoustic folk-pop. It is an interesting mixture of bittersweetness, darkness and light added with folky arrangements and frequent presence of harmony vocals. Hanbury's narrative, moment-capturing songs are, according to Pinstripe 45's MySpace, influenced by the likes of Donovan and Bob Dylan. I'd say Hanbury's style could also be compared to the melancholy of Jim Ellison or Jesse Valenzuela. Good melodies mix with sincerity and organic insrumentation in Pinstripe 45's music.
The group has a new digitally released EP out. It's called Studies in Timing and Coincidence (2008) – a very solid package of good songs, emotion and sounds of acoustic guitar, moderate percussion and viola. These songs (such as Waiting on Your Words and Follow Me Down Once Again) sound like an exploration of day turning into the night: they are atmospheric and generally quite dark but also joyous in their melodic quality. I'd say Pinstripe 45's is very suitable music for summer nights. I'm looking forward to hearing what Hanbury and his band come up with in the future.
Listen to Pinstripe 45s at MySpace. You'll hear the EP there, as well as a few other nice tracks.
It’s time for some more juicy Finnish music! Personally, I think Finnish indie bands should be given a bit more attention. I have, for example, witnessed a few dozen gigs too many that were musically awesome but basically no one saw/heard them since no one was there.. I guess people don’t go to see bands that easily if they haven’t even heard of the band before. You gotta start somewhere when you get to know new music, though. I think live gigs are often a nice way to check out new bands.
The problem of unknownness may not be that serious when it comes to Damn Seagulls who have just released their third album Hunting Season. They have been in music magazines, received positive reviews, and people even go to see them live. Damn Seagulls are not the most familiar band to me yet, but I definitely intend to do something about that. Their music has been characterized as alternative rock – and soul rock, thanks to their second album Soul Politics that came out in 2007.
Damn Seagulls have a quite generous selection of music at Last.fm. There are two freely downloadable tracks from the new album, and you can stream every song on their first two albums. I haven’t listened to their first effortOne Night at Sirdie’s much yet but I know it is soundwise their most garagey album. The second album Soul Politics shows a renewed band with soul. The album is melodic and lovely, it even includes those really cool wind instruments. I am going to listen to the album a lot more than I have so far.And at some point I will most certainly listen to the new album! (Right now I have about 50 albums waiting to be listened to..)
Yes, “The band they couldn’t hang” still seems to be the catchphrase of Finnish indie pop act Red Carpet even though they called it quits in the end of year 2007. I myself witnessed their lovely goodbye gig in Helsinki on November 28th. All in all, I saw the band about five times and it was always such a thrill to hear those beautiful melodies and harmonies.
During its existence, Red Carpet brought two fine pop albums to the world: Halfway (2003) and The Noise of Red Carpet (2005). I’ve especially concentrated on the latter, and it really is a solid album of melancholic, gentle, uplifting, and charming guitar pop. The band's music has been compared to Teenage Fanclub, Buffalo Springfield, CSNY and Simon & Garfunkel, for example.
Why I actually decided to write about Red Carpet was that I noticed they have quite many songs at Last.fm – and they’re free downloads! So, go there and hear the absolutely fabulous and gentle songs Blood Sweat and Tears, When You Sing, Golden Days, Reminder, and the amazing baroque pop beauty of Sigh. Sigh, indeed... And don’t forget to listen to the oh-so-lovely song about every 9-year-old boy’s favorite moment, My First Goal!All these songs arefrom The Noise of Red Carpet album.
Also go to their MySpace, you’ll find a couple of other tracks there, including a cover of Finnish electropop duo Viola’s Sad Eyed Disco Dancers, and a song from their farewell CD single The Band They Couldn't Hang (2007), a song called Death of a Band.
Red Carpet band members have continued making music in other projects. Veli Kauppinen has a project called Tolbiac, and Petri Nakari makes sweet pop tunes as The Wonderminers. It’s really great that such talented guys keep up the good work, even though Red Carpet is no longer among us.
I had a great day today. I made a YouTube search for The Sun Sawed in 1/2. I used to get very disappointing results… until today. Suddenly there were numerous SS1/2 videos right in front of me. If you don’t happen to know about my feelings towards this band, I can describe it in one word: obsessive. So, when I saw a list of SS1/2 videos, I was shocked at first. For a few moments I just spinned in my chair with my hands shaking, not knowing what to do.. Then I watched a couple of videos and it was so exciting that I had to take a break. It was a big moment seeing the band in various stages of its career, and I liked everything I saw.
The videos were really there, and it was Tim Rose who was responsible for this significant cultural act. It seemed like the videos had been put there three months ago - how come I didn’t find them earlier? Didn’t I really try to search for the band at YouTube during all that time? I must have had given up hope...
The most exciting part, of course, was finally seeing my #1 favourite singer, Doug “Butterscotch” Bobenhouse sing live. It was amazing. How can anyone have a voice that is so sweet and powerful at the same time?
Here is a really cool clip with Doug singing and Tim playing the guitar in Doug’s living room in 2006. The song Come Sail Away was new to me and so was the band Styx, too. I guess I should start listening to it…
How nice spring. There’s a blizzard outside.. Anyway, I first spotted this following "band" in Last.fm’s recommendations. It took a while before I checked what it actually was but it seemed like I had just found the most bubblegum-spirited (read: fictitious) band there was. The Wonders was a made-up 60s pop band in the film That Thing You Do! (1996), written and directed by Tom Hanks. I still haven’t had time to watch the film but it must be pretty cool.
The film contains some very, very nice music.. The title track That Thing You Do! was written by Adam Schlesinger from Fountains of Wayne and sung by none other than Mike Viola himself. It’s a good track, and the movie soundtrack also includes other melodic treats – from The Wonders as well as other fictitious 60s groups.
There is one thing that bothers me about the song - or rather people's reaction to it. When I listen to it, it sounds like… well, a power pop song from 1996, and that is what it really is. Still, very many people seem to be convinced that it is an accurate representation of 60s pop. On the other hand, what’s the difference? I guess it just confuses me to hear Mike Viola sing a song that fictitiously came out before he was even born..And I can't fit a time machine into the equation very easily.
Were Beatles power pop? That is one difficult question… While you’re thinking, why not listen to The Wonders!
It’s happened again. I’ve become absolutely fond of a new singer. I knew basically nothing about Neil Sedaka before I test-listened to him (like I do to many artists) a few weeks ago. I remember I was actually talking on the phone with my granny while listening to Sedaka’s early hits. It was probably Stairway to Heaven playing when I suddenly noticed a very special thing: this guy had something a lot more interesting in his singing voice than 99,9% of people have! Well, first of all, he sounded very much like Les McKeown (from Bay City Rollers)– a cheerful, melodious, and even slightly nasal sound. I listened to more of Sedaka’s old songs and soon found his amazing lower vocal register, as well as his awesome higher range. As I listened to those absolutely catchy melodies, great songs, and Sedaka singing gorgeous harmonies with himself I was swept away. Then I heard his early 70s stuff.. There was no turning back. I was in love.
Neil Sedaka was born in New York in 1939. He was considered a prodigal child, attended The Juilliard School and became an excellent pianist. Sedaka started writing songs at the age of 13 and singing at the age of 19. He worked a lot with Howard Greenfield in the early 60s writing songs for himself and others. Sedaka’s early hits include Calendar Girl, Breaking up Is Hard to Do, Happy Birthday Sweet Sixteen, Oh! Carol (written about ex-girlfriend Carole King), and others.
In the mid-60s Sedaka’s success on the charts decreased, his record contract with RCA ended and was not renewed, and as it became customary that bands wrote their own songs, Sedaka was left with little work in the songwriting sector. However, in the early 70s, ambitious Sedaka revived his recording career as he started working on new material in England with the four guys that would soon become known as 10cc. The collaboration resulted in Sedaka returning to the charts in both UK and US. Sedaka also worked with Elton John in the mid-70s. Sedaka's 70s hits include for example Solitaire, Laughter in the Rain, and Bad Blood.
During his 50-year career Sedaka has recorded music in five different languages, topped the charts with two versions of the same song (Breaking up Is Hard to Do), had a hit record with his daughter Dara (Should've Never Let You Go), and his songs covered by such artists as The Carpenters and Elvis Presley, among other things. People all around the world consider Sedaka a genius and demand him to be inducted into the Rock and Roll Hall of Fame. Sedaka, who will turn 70 years old on March 13th, still tours (The United Kingdom this summer) and sings with his voice still sounding incredibly beautiful – how is that possible? I guess a piece of heaven on earth just can't possible fade..
Sedaka’s voice is the most beautiful thing I’ve heard in a long time. Now the question is how long.. Will I end up dropping my current #1 favourite singer to #2? I haven’t decided yet but time will surely show me. Somehow it would seem inappropriate to place Sedaka as #2 but I don’t wish to abandon my current #1 just yet. Gee, maybe I just shouldn’t think about these ranks so much..
I love Neil. I can’t stop listening to him, his beautiful voice, and his beautiful melodies. To me Neil Sedaka is the ultimate American pop icon. I love his early pop & roll hits, and I love his later singer-songwriter pop hits (and non-hits). I’m looking forward to getting more of his records, and I even might go to England in the summer to see him live.. It’s silly but I can’t help it. I’m in too deep now..
Here are some picks from YouTube, mostly live performances. It’s just a couple of samples – if you don’t own/know Sedaka’s greatest hits (and preferably more), get/listen to them now!
Calendar Girl ("music video" from the early 60s!) Calendar Girl (live with Chris and Adam from Fountains of Wayne - great fun! Compared to Neil FoW certainly is "a new group..") Next Door to an Angel (video may not be the best but the song is perfect) Laughter in the Rain (so beautiful – I’m speechless) Is This the Way to Amarillo (with Tony Christie live at Royal Albert Hall) Solitaire (live, don't know where)
Sometimes I just don’t know how I get myself into these things.. It must be the curiosity in me. Also, sometimes you just sort of have to forget about who you are and what your musical preferences are. That way you will find something new – really new, not just another Posies soundalike.
It all began last summer when I was making a project regarding the history of music, focusing on 20th century. The project slowly turned into three and a half hours of me blabbing about the development of music – from ragtime to post-rock - and throwing in sound samples after each blabbing sequence. When I reached the end of the 60s, it was time to introduce progressive rock.. I made my research and found out that some of the most famous prog bands included Pink Floyd, Genesis, Yes, Emerson, Lake & Palmer… and King Crimson.
I was looking for audio material to include in my progressive rock section.. For some reason, the first thing I ended up listening to was King Crimson’s 21st Century Schizoid Man. Man, it surely struck me.. Saxophones! (My second favourite instrument after vocals. Someday I will end up becoming a saxophone player. You’ll see..). I couldn’t resist that rich sound, unusual drum playing, and somewhat brooding general feel that was emphasized by a raucous vocal effect. I actually liked the song very much right away.
I didn’t have much time to dig deeper into this specific band at that moment – I still had about 30 other genres to deal with.. I added an extract from 21st Century Schizoid Man, as well as samples from Pink Floyd and The Moody Blues, and continued to my hard rock section. It was sometime around Christmas when I finally got around to listening to an entire album from King Crimson. I chose In the Court of the Crimson King (1969) because it was the band’s first album and included that Schizoid Man song – it was song #1. After that came something very different: I Talk to the Wind, a beautiful and melancholic song with flutes. The other songs on the album – such as Epitaph and Moonchild – seemed to be parts of a bigger picture rather than separate songs. I guess that’s why the lengths of the songs didn’t seem to bother me at all. Well, to be honest, 12 minutes sounded quite long for one track..
Then, I read a very interesting article about the band in Soundi magazine, and realized I should listen to Red (1974) right away. That was what I did. I listened to it a few times and suddenly I didn’t care anymore if the songs were 12 minutes long, and if there was a single vocal melody in an entire song or not. I started to get the point of this music.. Still, no matter how you see it, One More Red Nightmare is a really catchy song.
Progressive rock just doesn’t seem to work in the same way as traditional pop. It’s a lot more experimental and focuses on creating large sound landscapes rather than trying to be as economic as possible. One of the most distinguishing features of the genre is combining rock-jazz fusion with psychedelic rock. Jazz fusion..?
Well, I haven’t said anything about it yet but I really like jazz – many types of jazz. I don’t listen to jazz very actively yet, but I go to Pori Jazz festival with my dad every summer, I’ve been doing that for about five years now. One of last summer’s most memorable events was seeing 70s rock-jazz fusionistsReturn to Forever play. It was really fascinating. I was mesmerized by the music, it was really something different – not anything like swing or bebop but it was still jazz.
I really look forward to see what this progressive rock adventure turns into.. I’ve already listened to some Pink Floyd, so it might be a good idea to listen what more they have to say, and perhaps move on to Yes and others sometime.. I want to encourage all pop fans to check out some prog! At some points progressive rock does, in fact, include catchy melodies. Like any melody-oriented type of music, it also aims to express human emotions. It does it in a bit more abstract way, though. There are not as many straightforward words as in pop!
There is so much information about King Crimson that it actually has its own wiki page! There have been almost 20 different people in King Crimson and the band has split several times and got back together. Central figure Robert Fripp is the only original member left in the band. Fripp describes King Crimson as “a way of doing things”. He has made music and toured under several different band names.
Finally, here is an explanation for the name King Crimson (from Wikipedia): “The name King Crimson was coined by [early King Crimson] lyricist Peter Sinfield as a synonym for Beelzebub, prince of demons. According to Fripp, Beelzebub would be an anglicised form of the Arabic phrase "B'il Sabab", meaning "the man with an aim" (although it literally means "with a cause").”
This blog could use some more twee. Although I still haven’t turned into a twee-activist, I can’t help loving Goodnight Monsters to pieces. This music is something that turns winter into summer in a microsecond. And it’s all Finnish music, and I’ve seen the band live. How cool is that? Summer Challenge (2008) is the second album by Goodnight Monsters. The song material on the album is all first class. First One on the Beach is a perfect organ-beat song – it just couldn’t get any catchier. Drifting is even more charming, there’s definitely magic in the air. These are all perfect tracks, how could I tell which song is more perfect than some other? Listen to them all and be mesmerized. Keep Me As a Secret, April Fooling, Mockingbird, Interflora Overdrive.. Awesome stuff.
There are quite many fully streamable Goodnight Monsters songs at Last.fm. There are even tracks from their first album The Brain That Wouldn’t Die (2005). Unfortunately, I haven’t listened to it yet (Why haven’t I done that? It must have something to do with those thousands of other albums I’m trying to listen at the same time..), but I definitely intend to check it out at some point. I’ve heard the first album is also really good.
It’s great that days are getting longer here in the north. Nevertheless, I enjoyed the winter darkness too. It’s easier to sleep when it’s not bright all the time.. And before you know it, I will probably be offering you some gothic rock – again - to help adjust to the summer that is soon at hand. At least it helps me..
I hardly seem to listen to any music newer than 1978 anymore.. Maybe it’s just a phase. But I’m 100% sure it’s an excellent phase. The 60s was the golden age of pop, and those days ain’t coming back.. at least in the exact same form.
The first new 60s group I discovered this year was Gary Lewis & The Playboys. This band truly was new to me – I had never heard any of their songs before (apart from covers - they often seem to ring a bell..). I found the band through Last.fm recommendations, I think. Last.fm is awesome because it endlessly keeps giving me great 60s music tips. Sometimes listening to those new bands feels like hitting gold right at the first moment! This is basically what happened with me and this band.
Gary Lewis is the son of comedian Jerry Lewis. Gary started a band (The Playboys) with his friends around 1964 and became drummer and lead singer. Although it wasn’t Gary’s intention to take advantage of his father’s fame, father Jerry played a part in launching the band’s recording career. That career soon turned out to be quite successful. Gary Lewis & The Playboys got their first number one hit right after they had performed their first single This Diamond Ring on The Ed Sullivan Show. The next single releases were also successful: Count Me in, She’s Just My Style, Everybody Loves a Clown and a few other tracks all made it to top 10. Gary Lewis & The Playboys continued releasing albums and singles until 1970. Gary also released solo material.
Gary Lewis & The Playboys have lots of excellent and catchy pop songs. The way I see it, The Beach Boys were one of the bands that influenced their music. Also, Lewis has a really exciting singing voice! He was, in fact, chosen “Male Vocalist of The Year” by Cash Box magazine in 1965. Other nominees included Elvis Presley and Frank Sinatra.
What makes all this slightly weirder is the following section that can be found in AMG. I never even thought about stuff like this before I read it: “It would be difficult to find a rock & roll star less likely than Gary Lewis, or a less probable chart-topping act than Gary Lewis & the Playboys. Lewis himself was possessed of a limited singing range and didn't have what could be considered good looks, yet with a lot of help he managed to make some exceptionally good (and good-selling) records out of Los Angeles, in the midst of the British Invasion, and teenagers loved him.”
As usual, here are my favourite songs, listenable on YouTube. I picked just a few.. This stuff is pure perfection. But don’t look at the videos! Music doesn’t need illustration. It's a bit strange, however, that one of the few places where you can properly stream full songs from nearly any 60s artist is a place that is meant for videos. So, Gary Lewis and his band are not in the videos that I've linked here. If you’d like to see Gary Lewis lip-synching to his songs, you’ll find those videos easily.[I just wish YouTube wouldn't remove all good music from the site..]
How embarrassing! I forgot that my blog was about to turn one year old. Now I'm already late.. Still, better late than never, they say.
Thoughts on Melody was born in Helsinki, Finland on February the 4th, 2008, although the idea had been bouncing inside my head for some time. During its first year ToM went through a couple of visual changes, moved its headquarters from Helsinki to Tampere and was decorated with about 80 posts and 40 comments. To be honest, that's more posts and comments than I ever expected.
Even though the actual benefits of the publicity of this blog still remain pretty unclear (people just don't tend to comment on things that much), I'm very eager to continue with this little therapy project of mine. There is always something to blab about..
So, congrats to me and my blabber and big thanks to visitors and everyone who's left a comment! Special thanks goes of course to the artists. This blog wouldn't exist without you! Youmean a lot to me.
Today is the one week anniversary of my first The Disciplines gig. It’s definitely not very rewarding being a Finnish fan of numerous American power pop/pop/indie rock bands when you look at how often they play gigs in Finland. However, sometimes we Finns get pampered big time. Nowadays, Jon Auer or Ken Stringfellow or both, visit Finland almost every year. They seem to have quite many fans in this country – the biggest live audiences in the entire world, I’ve heard!
The latest turn in The Posies story was Ken Stringfellow starting a band called The Disciplines with Norwegian musicians who had played in a band called Briskeby. Well.. Norway, that’s geographically very near to Finland! Norwegian-American The Disciplines already played in Helsinki a couple of years ago, and now, in January 2009, it was time for a three-gig Finnish tour that also included shows in Turku and Tampere.
I really can’t complain. Seeing a power pop god like Ken Stringfellow perform in my hometown, 5 kilometres from my home is absolutely cool. Also, Stringfellow is the most enthusiastic and devoted live performer you could ever imagine. At Klubi his performance was filled with wild energy, quite sensual dance moves, and inventive activities that he used to make the audience participate. Ken ran singing around the venue while the audience got tangled in his very long microphone wire.. He encouraged everyone to jump up and down with him, and some people got a chance to sing a bit of lead vocals. Ken also hypnotized the entire audience. That was the most unusual gig moment ever but it surely was great fun! The encore was AC/DC’s Highway to Hell with Ken’s own made-up lyrics (“I’m going down to Tampere!”). It was an unforgettable gig. Feedback from other people who had witnessed the gig included stuff like “the best gig I’d ever seen”..
After the gig I got a chance to purchase Smoking Kills (2008), The Disciplines’ first album, from Stringfellow himself. It’s a good modern rock album – melodic like you could expect from Ken. And of course there are some power pop songs, too.
Extra points go to Finnish warm-up act Agent Kooper who come from Turku. Their 70s retro-rock sounded great. This was the 2,33th time I saw them, and it was definitely the best gig so far. They performed some new songs too. Those songs were quite epic!
I encountered domestic My First Band last fall when they performed live at Lost in Music festival. I enjoyed the gig very much and liked the band’s sound. Their first full-length album will be released on February the 11th, and the band is now offering a one-week pre-listening opportunity at MySpace.
The album is called You Look so Bored and it contains the current single Why Do You Treat Me so Bad. At MySpace you can also watch the video for the song. My First Band has appeared on Finnish television and radio, which has surely spread the word and made people pay attention to the band. The album will only be released in Finland for now.
Check out the music if you don’t mind melodic, synth-flavoured pop-rock. I intend to listen to this album carefully. You can also join the band’s Facebook group for latest news. Most of the information is in Finnish. My First Band at MySpace
Tony Burrows is the man. He is Britain’s Ron Dante, and probably a lot more. He was a studio singer in the 70s and scored countless hits as lead singer in several bands. He sang in Edison Lighthouse, White Plains, Brotherhood of Man, The Pipkins, and that’s not even all. Once he performed in Top of the Pops as the lead singer of the three first mentioned bands – all of which were guests of the very same TOTP episode, and it resulted in Burrows being banned from the program since the TOTP makers thought the watchers might think it was some sort of a fraud. This didn’t, however, stop Burrows from performing with The Pipkins in the show a few weeks later. Lately I’ve been listening to quite a lot of Edison Lighthouse, a wonderfully melodic pop group with lots of strings.. Edison Lighthouse – like other Tony Burrows bands - only existed in recording studio and television. That is, in fact, the official recipe of bubblegum success. But anyway, who cares about the fact that Edison Lighthouse wasn’t a real band? It’s the music that counts. You can fool people with many, many ways but you just can’t forge a good song.
Love Grows (Where My Rosemary Goes) sold millions, which is of course a good thing. Good songs should be noticed! I never had heard it myself before I heard a cover version of it by Freedy Johnston about a year ago. As you might guess, Edison Lighthouse and probably every other Tony Burrows band, too, have been labeled “one hit wonder” which isn’t very nice. Edison Lighthouse and others actually have several hit-worthy songs.
In the early 70s record company Bell released numerous singles that were credited to Edison Lighthouse, and other singles credited to Tony Burrows. Most of these singles can be heard on Edison Lighthouse's Best of collection, that nicely seems to be out of print. Luckily, there is YouTube..
I wish more people knew about the greatness of Tony Burrows bands! The situation might not be all bad, though. In Finland, for instance, probably everyone is familiar with the Finnish version of Tony Burrows single Every Little Move She Makes (Elämältä kaiken sain), performed by Pepe Willberg, but I'm not sure if hardly anyone has heard Love Grows.
In this blog a Finnish pop music fan blabs about music and albums she has recently found interesting and good, and music-related live experiences. A lot of that music can be labeled as sixties or seventies pop, classic rock, power pop, baroque pop, bubblegum pop, psychedelic pop/rock or alternative pop/rock. However, there are no boundaries, and there will occasionally be talk about jazz and classical music, for instance.
The point of this blog is sharing (and hopefully receiving) music tips, joyful experiences and personal opinions - not files. Feel free to comment on anything you'll find here.
I’ve finally managed to cure my SS1/2 addiction. It’s only temporary, I know, but it’s simply awesome to experience something new! You know it, it’s the feeling of discovering a new amazing band. 
